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Since the beginning, miart has set a system of strong partnerships, which provide the participants at the fair with focused prizes and acquisitions funds. Besides the engagement of the very same Fiera Milano organization, which acquires works of art with a 100,000 EUR budget and to which we will dedicate an insight on another occasion, …

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This year, the advertising campaign of miart comes with a blast of (new) energy. Titled the “Art of Gestures,” the campaign takes its inspiration from the vocabulary and movements of rhythmic gymnastics. As a way to interpret the central concerns for miart 2017, the fair’s visual identity has been conceived to focus on the relationship …

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One of the most important new entries in this year’s team of miart is the Advisory Committee for the Emergent section. Four among the most cutting-edge, yet established gallerists are going to suggest, in a trust chain-relationship, the most promising young galleries in the world. Indeed, the shift from having a single curator of the …

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We have appropriated the title of one of the most famous books by Virginia Woolf, A Room of One’s Own, to introduce three stories of likewise Italian women who sustain contemporary art in Italy and abroad. Sharing the same drive and responsibility towards the public, who is their privileged spokesman, we have invited Valeria Napoleone …

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Milan should be observed as a Flemish painter would do: focusing on details, while maintaining a bird’s eye-view. Indeed, we are not dealing with the tiny topography of cities like Bruges or Brussels, but with a place that nevertheless had its own Baron Haussmann. His name was Cesare Beruto, and he was responsible for the …

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For every issue, Carnet de miart presents a newly commissioned, image-based contributions by artists, representing their interpretation of the topics discussed in the magazine. All images will be downloadable to be potentially used as desktop wallpaper: an ironic means of further investigating the meaning of installing the work of an artist in a private space—as …

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