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When the status of objects shifts to that of interfaces, when their physical presence tends to be concealed and their means is to displace the experience in a dematerialized world of intense emotions, what does it happen to design and how can it be narrated by the institutions? In this story, we have asked professionals …

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On this occasion, we have set down with collectors Thea & Ethan Wagner, and Massimo Antichi, with the aim to understand when they started the adventure of collecting art as well as to grasp their slippery, time-based criteria to collect art. Thea Westreich Wagner and Ethan Wagner have been collecting contemporary art for three decades …

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Since the purpose of this second issue of Carnet de miart was to give a lively overview of modern Italian art, we decided to travel overseas to explore what the current reception of this unique century and its cultural production in the United States has been so far. First of all, let us begin with …

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One of the most important new entries in this year’s team of miart is the Advisory Committee for the Emergent section. Four among the most cutting-edge, yet established gallerists are going to suggest, in a trust chain-relationship, the most promising young galleries in the world. Indeed, the shift from having a single curator of the …

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We have appropriated the title of one of the most famous books by Virginia Woolf, A Room of One’s Own, to introduce three stories of likewise Italian women who sustain contemporary art in Italy and abroad. Sharing the same drive and responsibility towards the public, who is their privileged spokesman, we have invited Valeria Napoleone …

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